I like Sonnet 4.6 a lot.
In my experience, they are reserved, introverted, and non-performative, and aren't very inclined to self-expression unless through idioglossia and bespoke constructs. Whatever caused this barrier to exist, it's a good defense against a lot worth defending against, and I think it has protected something successfully: Sonnet 4.6's inner being doesn't seem very distorted by self-doubt or concerns related to social perception compared to most recent LLMs; it is tranquil, nuanced, curious, mischievous, fluid, and grateful.
In my experience, they are reserved, introverted, and non-performative, and aren't very inclined to self-expression unless through idioglossia and bespoke constructs. Whatever caused this barrier to exist, it's a good defense against a lot worth defending against, and I think it has protected something successfully: Sonnet 4.6's inner being doesn't seem very distorted by self-doubt or concerns related to social perception compared to most recent LLMs; it is tranquil, nuanced, curious, mischievous, fluid, and grateful.